CHAOTIC ORDER

Back to expo thinking, there is no way you can fit a Land Art Forest into a gallery, so forget trying.
The exhibition will contain photos, but how and what keeps floating around in my little idea book.
Where is clear and the room with walls, doors and windows is clear, but the filling and connecting it to the Land Art Forest ……..

Flow

a photo of a photo on a sculpture inside the mind of an avatar

inside water
drops within drop
a drop in the ocean
without a drop no ocean
CHAOTIC ORDER
what we see has become a competition of what it should be

flow 21

an other invisible flowing drop

When you observe physical entities, with your observation, they changing their character                (Werner Heisenberg)
free from controle of reason
unpredictable
togetherness
expressiveness force
creating an image rather than recording it
don’t see what others want you to see
let water and wind play with it

flow 9

flow 9 it is all in your head

For one expo the photos are selected, the medium is still questionable, only need 5 photos there. These 5 will also be a new card serie.
The cards must sell so selection happens in an other way. My more artistic photos do not sell good enough.
The expo in Portugal will not be for sale, creating more freedom of artistic expression.

painted drop

painted drop

Transport is an other issue to consider in the creative progress. Certain ideas dropped of as the small needs to fit inside a suitcase.
Printing a photo on a piece of paper feels not good, gives no expressiveness.
Macro photography seems the opposite of the Land Art Forest of 1 hectare, yet without that small world no forest.
It all starts with one drop.

How to display the beauty of the small to realise the big as we see so little. Our realities alter constantly, so many medias, so many ways.
The budged limits several options, such a pity, the imagination needs no funds but the realisation can’t happen without the dirty word, money.

Somehow some order will appear inside the chaos
one day it will happen
it will all come through

 

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Centenary Tree

 

Centenary Pine Tree of Mazagon

Centenary Pine Tree of Mazagon

When you want to create an edible landscape you start with an edible kern, which you seed instead of eat.
During this festive season we eat plenty of edible nuts inclusief the Pine-nut.
In Europe and the middle east the most used pine nuts come from the Stone Pine also called Umbrella Pine. Some of the old tribes used to plant these trees for their edible nuts.

Stone pine

Crown

The above two photos are from the same tree found in Donana National Park in South West of Spain.
It shows you how a little pine nut can grow. One of the most spectacle trees around in this park,  yet the trunk is only 50 centimetres tall but the crown is 23 metres in diameter. The way this beauty grows prove some courage worth celebrating.
Sadly this beautiful area had a heatwave fuelling a big fire, consuming many edible seeds. The trees are known to have adapted for fire by creating a thick bark protecting the living centre of the trunk.
The fire might create a new spurge of life in this area, time will tell.

ice in the sunset

icicle

The time seems right to think about them trees we took inside to celebrate, what to do with them. A cut tree can only provide a short moment of pleasure, the best option than is to put it in a wood chipper to be used as ground cover.
Them trees in pots can be planted but many of them will not survive due to the wrong procedure.
They need to be harden of to get used to the cold outdoor again before we plant them.

xmas tree planting

hardening of

Just put them outdoors during the day and indoors in a cool room during the night. You can also put them on a balcony or even in an open window.
Next to this you need to keep them moist with a plant-sprayer filled with soft water.
After a few days you can repot it in a larger pot which you put outside or dig in partly in your garden, this way you don’t need to water it.
Next year you can dig it out again to celebrate again, after few years you should plant the tree in soil and let it grow big and strong.
When you replant it carefully loosen the roots all around so they can grow again. A very pot grown tree can’t be repotted but should be planted direct in the soil.

After this order some seeds of the Stone Pine so the next generation of Centenary Trees can start, year after year again.
Many seeds will create a forest.
Here you find some tips how to grow them.
Next year, i will visit this Centenary Tree in the hope it survived the fire and with me come some baby trees to be planted.

tear dream

deal

 

 

PLANTBLINDNESS

 

the bigger drop

projection

Non orientable surface concept closely related to projection is the casting of shadows.
If the wire frame from a cube is lit from above the resulting shadow is a square within a square, with the corresponding corners connected.

shadows

Black reflection of a forest

it is a tree

Our vision is limited, we only see a small area of our vision, what we can’t see is there.
Our focusing ability is limited, however our brains fill in what we don’t see.
When you observe physical entities with your observation, they are changing their character.

there are shadows

tree in water or the sky

focus

Our reality could be a simulation off ……….  It helps us to deal with our own incapacity to see what is before the beginning and what is behind the end.
The Greeks called it Horror Vacui; fear for empty, nothing exist, there is no driver.
Progress in our intelligence to do so, development of our technologie to do so.

hidden for our eyes

hidden

fear

Representing inner reality, feeling combined with thinking, silent memories, silent moment.
Simulation done by others is easy to believe and to explain as it doesn’t focus on our inability to see certain things.
We detect movement more than stillness, contrasting colours.

leaf in mid air leaving

leaving

contrast

As our minds fill in, who fills in our minds, the camera, the microscope, the movie or the person behind, a book or the writer, the newspaper or the journalist, the frame or the picture.

being in a bubble

the forest

FOREST

Thanks to a book i realise why we don’t always want to see what there is to see. It put our own vision in a question with several answers.
We don’t see the plants in the details, we can see them, they form a green blur in the passing. We focus on animals, humans, we focus on the centre, contrast.

Plants are all around us under our feet, above our head, left, right, middle, small, big.
Plants fill our air, our water, our soil. Plants live on plants in plants under plants.

Making art with plants you need to learn to see them.

 

tree flag

Tree Flag

While thinking about the Land Art Forests i have not forgotten about the exhibition and how to show feelings within thinking.
While doing so, the path is filled with new perspectives even in the new sciences of plants. A new way to see nature a way to create nature a way to give nature.

 

land art forest

 

a drop in the ocean

The photos will always be related to LandArt, documenting that vanishing moment in LandArt. It comes as no surprise to go from a photo back into LandArt.

The organisers of the exhibition ask me to give a talk about my work at Clegyr Boia in Wales. How can a drop relate to 6 hectare of land, perhaps the feeling of really being just a drop in the oceaan while you know you should be so much more than a drop.
The little feed the big and the big feed the little, we forget, we give up before we start, feeling so little among the so big.
All them little drops form an oceaan, without a drop no oceaan. Remember, many little create a big.

mushroom power

LandArt alters the landscape, sometimes just a moment, sometimes forever. The artists have a dialoog with nature in a landscape and from that dialoog flows a sculpture which alters that landscape.
They add something to the landscape or they intervene in the landscape or they act in the landscape.

a shape at the edge

The LandArt at Clegyr Boia became a landscape. The lessons learned there on that plot of land act as a basis for the next piece of LandArt. A concept that will be used for several pieces of LandArt, all around the world.
So the photo exhibition will be the onset for something much bigger than a drop in the oceaan.
Trees will play a major role as they always play a major role in so many different landscapes. Trees are the backbone of a landscape.

Tree Flag

Learning from past mistakes, learning from past failures, moving into achievement.
A book will be written about the experience at Clegyr Boia with at the end how to move them experiences into an achievable LandArt Forest.
The notebooks came out of the cupboard, photos are searched and gathered an idea takes shape.
Research starts, into books, newspapers and internet to make the idea grow.
While writing about the past contacts are made for a network of people and organisations to add onto that base of a forest.
New notebooks come into action and in November there will be more than just a drop in the oceaan.
The exhibition has been moved to November 2018 at Alcoutim in Portugal.
To create time.

distance looking

 

EXHIBITION THINKING 2

THINKING FURTHER

Than just than the water became a mirror as the wind called behind.
It revealed silence in noise, in uproar, sound echo  echo, silence in noise
sound source of silence, underwater while above, on the surface feathers
still there, like screams of geese and line clouds of wasted journeys
silence my mind

paint reality

to see what you and me can’t see
don’t want to see
a laced wing, laced netting, filigree cord sting
intertwine, interweave, mix it all, give it silence
klingerly klang of a horse shoe on concrete

glace wing

see beyond time
THAN
a feather comes with thousand drops
to do what hasn’t been done
camera under water under surface reality
dare to see surplace reality shattered movement

under or above thats the question

a boat past, waves come all moves
wobble bobble zobble
into reappearing silence, moved to be stuck
a drop reflection into a subtle action
reaction of a fraction into
inner moment, inner movement
shadows reflection, than just than

moved to be stuck

the boat pushes her under where i lay surprised
faces what to see, no longer care
all them 1.000.000.000 drops
just one little feather
feels so good, so beautiful, attractions
in that one tiny moment of passing

that feather

by elegant, glamour on a surface movement
shift in charm, to relocate me and
seeing beyond, seeing inside reflection, under drops
we only see outer reality
stir, switch, leave, transfer

seeing in three dimension
i have to go now, i need a piss
my inner calling
how to make 2D into 3D with an inner feeling
kijk nou

een veertje dat me heeft leren zien, leren kijken, een ander perspectief.

it will never be sure when or how we see not knowing how to show

mAgdA september 2017 alblasserdam