While reading the new ‘LandArt book’ Expeditie Land Art it occurred to me that magical word empty, in Land Art.
On page 89 you find the start of a description of the writers visit to Lightning Field from Walter de Maria.
What Walter achieved with this piece of Land Art is to create the experience of an empty field, a field which will stay empty for many generations to come.
Most fields will not achieve that, that immense feeling of emptiness.



A filed is never truly empty, bare, blank, deserted there is something always something. YET, it can give you that feeling of being purposeless, meaningless never unfinished.
Walter de Maria made sure to preserve that feeling in the whole of the creation and preservation of his work The Lighting Field.

People will say and did say this is no art but than was it his purpose to create art or was it to preserve a landscape on the brink of disappearing of this planet.
Due to his planting of metal rods you now can visit this place with just 5 others alone without; phone, tv, radio, books, magazines, internet for at least 24 hours to experience empty, silence, idle, clear vision.

Everything in our lives has some kind of monetary value yet the most important aspects of life appears to us free of any charge. It will not be for long and than when it is gone perhaps than we realise what we have sold.

i can see you

can you see



Forest Museum

At times people see gardens as museums for special plants, perhaps we can see the forest as a place for special trees.
While we wander around the forest remembering fairytales, wondering gnomes under our feet, a distant call of the fluttering bird, do we see what it could be.

Alan Songfist did.
Making art by planting trees in the shape of that or perhaps that other fluttering bird.
An amazing piece of art hidden for the human eye yet clearly seen by bird-eyes.

Land Art Forest hidden beauty

hidden forest

An other fantastic piece of work from Alan Songfist is “Time LandScape” again made with trees, situated in New York City.

Agnes Denes is an other land artist who created forest art, with a more hidden message of ‘this will never be sold’.

How about a cathedral made with living trees, well more than one person had that idea but like paintings no Land Art is the same.
Whipsnade Tree Cathedral is a 9.5 acres cathedral created and planted by Mr Edmond K. Blyth, starting in 1932 long before the land art movement came along.

The Tree Cathedral by Giuliano Mauri is made with hidden trees as in each column a young Beech tree is growing. The columns are made with branches and sticks woven into a structure which is more than just a tree protector.

The Green Cathedral “De Groene Kathedraal” made with Birch trees not to last forever but leaving a lasting memory of trees on the new created land in the Netherlands.
Marines Boezem was born just 2 years after Mr. Blyth started to plant his green cathedral.

Land Art Forest hidden drop


From the ‘Green Cathedral’ it is a short drive to go to “Het MuseumBos” where you can find several pieces of land art created with trees.

Land Art Forest will not be a new idea but than who made the first painting? How many paintings did follow?
Lets wish we create just as many Land Art Forests as we created paintings.



nEw ways to sEE nature

seeing drops

new discoveries while on your knees


Many people say to me; my photos made them look differently to nature, they now see things closer. When you take your time and sit down, you will see something different no matter where you are.
Our eyes have their limitation and our brains fill in the rest, but who tells our brain what to see. The manipulated photo of what we want to see, according to who ……?
Is it the artist, fashion, media or our surroundings?

novel ecosystem

down the beaten track


As a land artist you need to know your material just like any other artist does. A painter knows her paint, the brushes, the underground, the sculptor knows their wood, stone, iron. A land artist find their art-material in the landscape,  where ever that landscape is you will find nature there.
It is often said that land artists have a dialoge with nature, using no words or signs. They alter the landscape with material found in the landscape. At times these alteration last just minutes at other times they last years.

planted landscape

created landscape


In a way they create a connection between culture and nature, which is not always appreciated.
Some artists travel large distance to find them special ‘wild’ places to create their art, to spread their wings in unknown territories. Sometimes their inspiration comes from nature herself, many times it comes from who pay their travel expenses.
All of them make us look at nature in a different way.

Pink Rocks

natural sculpture


We always intervene in nature, humans have been changing their environment since they walk on 2 legs. Out of them interventions come new ecological systems, creative driven ecosystems. (Novel Ecosystems)
How do we divine nature? Them landscape which has not been touched by humans? We have changed the chemistry of the air, the chemistry of water all over this planet.

human made wilderness

wild or tame?


One destination is never a place, but a new way of seeing things (Henry Miller).
In Europe we altered the landscape for many many years and them altered landscapes are now natural wonders in their own rights.


planted giant


We actually can give something back to nature, we can create with nature new ecosystems with a new way of looking at nature. Areas which were once planted by humans and than neglected become very unusual but beautiful places to reconnect with that nature.
Nature doesn’t care about nationalities, the wind seeds them plants no matter where and no matter where the mother plants come from.

water buffalo

an allien


Perhaps this WaterBuffalo in Pembrokeshire should not be or perhaps it always has been but just went for a long holiday.
The non natives often help to create that environment the natives need to survive, lets call it natural balance.


created landscape


The above photo shows a landscape made by mining and sheep farming, is it therefor no good? Is what we see here no nature?
It is now a national park where they try to keep it in the way it is. Perhaps the national park should let nature decide what it wants to do with this new landscape.

Land art can certainly create new landscapes by working together with nature.

Novel land art

how old farmland became new

In the next blog i will show you more about this piece of land in Pembrokeshire.

It stands model for the new to create Forest Vision





land art forest


a drop in the ocean

The photos will always be related to LandArt, documenting that vanishing moment in LandArt. It comes as no surprise to go from a photo back into LandArt.

The organisers of the exhibition ask me to give a talk about my work at Clegyr Boia in Wales. How can a drop relate to 6 hectare of land, perhaps the feeling of really being just a drop in the oceaan while you know you should be so much more than a drop.
The little feed the big and the big feed the little, we forget, we give up before we start, feeling so little among the so big.
All them little drops form an oceaan, without a drop no oceaan. Remember, many little create a big.

mushroom power

LandArt alters the landscape, sometimes just a moment, sometimes forever. The artists have a dialoog with nature in a landscape and from that dialoog flows a sculpture which alters that landscape.
They add something to the landscape or they intervene in the landscape or they act in the landscape.

a shape at the edge

The LandArt at Clegyr Boia became a landscape. The lessons learned there on that plot of land act as a basis for the next piece of LandArt. A concept that will be used for several pieces of LandArt, all around the world.
So the photo exhibition will be the onset for something much bigger than a drop in the oceaan.
Trees will play a major role as they always play a major role in so many different landscapes. Trees are the backbone of a landscape.

Tree Flag

Learning from past mistakes, learning from past failures, moving into achievement.
A book will be written about the experience at Clegyr Boia with at the end how to move them experiences into an achievable LandArt Forest.
The notebooks came out of the cupboard, photos are searched and gathered an idea takes shape.
Research starts, into books, newspapers and internet to make the idea grow.
While writing about the past contacts are made for a network of people and organisations to add onto that base of a forest.
New notebooks come into action and in November there will be more than just a drop in the oceaan.
The exhibition has been moved to November 2018 at Alcoutim in Portugal.
To create time.

distance looking




The concept of a garden as a piece of art will be discussed for many years to come. The Japanese see gardens as art, no discussions there any more.


Zen-Scape inspired by Japanese gravel gardens

We from Dabe-Art were talking about it; you can’t answer this question without talking about the criteria for art. Creativity would be a number one, unusual would be an other, using material in a different way and last but not least a thinking behind it (intellectual). For many people art ends by making something beautiful (aesthetic) for us at Dabe-Art it is more than creating something pretty.
When Derek Jarman made his garden in the last years of his life his aim was not beauty, he used different materials, not just plants, he had an idea  which developed while making the garden. The garden he created became art and people use it as an example for a garden as art.


Vision 2004

Like any art a garden start with a base, the soil is for the gardener what an empty canvas is for a painter, or a block of clay for a sculptor. Before we create our art we work on the base,  the empty area. On the moment i work on the soil and like other artists while working on the empty the filling happens in the head.
A criteria for art we forgot is passion, if you don’t have the passion you will loose it already while making the empty base. The passion will filter through and makes it all worth doing.
You can understand why the Japanese gardeners made the weeding into something special, something creative, while weeding they create certain patterns otherwise their gravel would be hidden under a shower of greenery. The gravel gardens they made have inspired many gardeners for centuries, including myself.


wheel at the walled garden 1997

While reading Earthly Joy written by Philippa Gregory, about a famous English gardener and wanderer John Tradescant, it came to my mind to write a life story as a garden.
An autobiography written through landscapes into a garden landscape.
The soil from the garden gets shaped in an old design “The Wheel” a large circle divided in 8 triangels leading to an inner circle, like a wagon wheel. You will find the design in many old cultures around the globe. Each triangel of the Story Wheel will tell a story of a place where i lived during my life, reflecting how that place shaped experiences.


the Story Wheel where old and new will meet

The stories start at, yep the East, as there the day start as well as the night, sunrise, moonrise. Each triangle will hold a tree connecting the triangle to the place it describes. When all the flesh melts from the bones them trees will grow on and on changing the face of the land, hiding the written stories.

While weeding away, to have my blank canvas, my mind wanders to all them places and the piece, triangle by triangle starts to live and get filled.

So a new piece of Land Art began, which will grow on for many years to come just like many of my other Land Art.

You can follow here how it slowly but certainly take shape and how the creative story evolves.




We went onto the Aylesbury Arm of the Grand Union Canal to cruise into tranquility. There next to Bridge 4 i planted 13 Willows and 2 Oaks again as a part of the Bridge Land Art forest.

Cruising into the Aylesbury Arm

Cruising into the Aylesbury Arm

The weather was warm and the Willows and Oaks started to suffer in their much too small pots. The Willow were just cuttings in water, the growth on them was beyond the power of their roots in the water, they needed soil. In all the pots were 2 acorns therefor two Oaks a bit crowded for the young establishment.

Bridge 4

Bridge 4

I saw a perfect spot right by Bridge 4, so The Wånderlust was moored and i walked over the bridge whit my few tools and the plants. Right there amongst the tall grass spots of bare soil came bare and just with the help of a bulb-planter, holes were made just big enough for the small Willows to go in. In the centre of 9 Willows came a special Oak. At first it looked the pot had 3 Oaks but it worked out that one Oak sprouted with two stems. The beginning of a very special artistic Oak, just imagine in times to come to see these two stems growing into two thick trunks, pushing each other towards a site. I can imagine the arguments; lets go east to the sunrise yes me too oooh not enough space you have to go west, no way you go west, no i stay east, thats not fair why you why not me. The diplomatic trunk pushed the other into the south selling it as the best part to be with so much sunshine while it always  pinched the early sunshine, the vibration after the cold dark night.

Oak with two stems

Oak with two stems

The Willow act as a circle of protection as any grassing animal will go for the Willows leaving the Oak alone. The Willow leaves would feed the Oak some growing hormones by decomposing into the surrounding soil.



The weather stayed warm for several days not the best for the young trees and my mind was with them but they had to defend for themselves now, an important part of the Bridge Land Art Forest. Nature gave the needed relieve in the form of some big summer showers.

all you need

all you need

In Aylesbury the word spread about the young Oak trees while we had for several days our popUP Gallery. I made even some contacts with a community art centre the Queens Park Arts Centre. Next year i will give some workshops and have decided that one of the Oaks growing at our home mooring in Nantwich will be a part of the workshop.



While occupied with the Wånderlust cruising art gallery, i found out that one of my old neighbours grew 12 Oaks from acorns, which he will plant in the small forest where i made many pieces of land art. A fine example how the Bridge Land Art Forest can grow. While the political forces i Europe battle about in or out EU and the old nationalistic demands all of us can make a difference in our own small way. As a 100 people plant 12 Oaks each around the world 1200 Oaks will grow beyond the power of man and if we keep this up for 12 years we have planted 14,400 trees in 14.400 different spots making 14.400 unique statements. Think of the aspect if each of them 100 people can inspire an other 4 people to do the same we will have after 12 years planted 57,600 trees and if them 400 people inspire an other 4 people we would have planted after 12 years 230,400 trees planted by 1600 people. Just imagine a bridge of all them trees in a line on the land that would be 57,600 trees taking each 4 metres makes 2300400 metres of trees or 230 kilometres hats from Cardiff to London.

on our way back

on our way back

So you can see with a little effort and little resources you can make a difference that will be recognise for years to come. Each planted tree leaving a sculptural mark on the land.



Today the first little Oaks went into the ground as a part of the Bridge Land Art Project. The acorn was planted last autumn, you read about it on this blog.

The little Oak in her pot

The little Oak in her pot

The last two months the Oak came along with us, on top of our NarrowBoat Wånderlust.
Two Oaks in this pot so it was time to plant one of them, even they only came up a few weeks ago.
It is amazing to see how much she grew already.

the plant and her root

The plant and the root

You can clearly see the acorn and how it sprouted out into a little baby tree.



The acorn was planted in the soil of a mole hill and just near our mooring i saw a mole hill hidden under some green. It is at the edge of a beautiful forest park along the towpath.
The spot for this little tree.

het plekje

het plekje

The clearing began and the collection of rocks to keep the soil of the mole hill in place. While working some people past asking what i was doing, so I showed the little tree. Now this tree has some local people who will keep an eye on her to make sure she keeps on growing.

mount of rocks

mount of rocks

Around this area, you can find lots of brilliant flint rocks. The beauty of flint is the many shapes and colours it comes in.
In the early morning i went out in the dew to look for rocks and dew drops.
While looking i found this bizarre mounts in the middle of the forest. No idea why, no idea what, yet they are made on purpose. Somebody has been creative, helping me to find plenty of great stones.


One mount after an other mount of dug up clay, what else can you say than hidden confusion.

hidden confusion
from within she reappears
with a tingle in her toes
no need to hide
she looks back
never mind the muddy hands

Oak on rocks let her grow

Oak on rocks let her grow

There 4 more Oaks on the roof of the boat waiting for an other good spot. One of them will be planted with a circle of Willows, which are also on top of the roof.