FOREST   land art

Why making a forest as land art?
The answers lay with the trees, not just their beauty, strength, adaptability but:

Tree clean the air from dust, co2, important as we know.

FOREST Air cleaners



Trees help with the water management on this planet, while we turn and turn around.
By all means trees are the best in using solar energie.


FOREST water



Trees provide food, wood, shelter and do i need to say more.



TOREST hidden beauties



The hidden beauties, the shelter, all for us to discover in their small corners.

Therefore creating a forest is more than planting a bundle of trees.

It makes it possible for us to give something back to nature, to create a gift for nature.
The FOREST will become Community Art for nature.




Bies Forest

You can find the beginning of the ‘Land Art Forest’ in the ‘BiesBosch’, which means the forest of Bies (common club-rush).
This area stands central for the land art, first as an example how we can give back and how we can recover nature. Second as this is the breeding ground for a lot of my thinking.

How it used to be

The changing of this area over the years has been to say the least, dramatic. The area was created by St. Elizabeth’s flood of 1421. Due to war and the rush for profits the dykes were neglected therefor on 18 November 1421 the water broke through and the area became an inland sea/delta.
Nature used the rivers to create land again with silt, bit by bit water became sandbank, sandbank became silt plate, silt plate became swamp with reed and rush and finally meadow.

The BiesBosch became an important fishing area, in 1910 thousands of salmon were caught in a year, yet 23 years later the salmon fishery was finished due to overfishing. The same goes for the ‘Steur’ (sea Sturgeon) a big fish which was used for the caviar. In 1900 438 Steur were caught in the BiesBosch and in 1925 just 3.
The land was used for hunting, there were several Duck decoys used to shoot Ducks in large numbers. This came also to an end and the income of the landowners came from the harvest of Willows and Rush, and cattle from the meadows.

Willows are used to make clogs

Even it was cultivated land it was rich in wildlife due to the swampy character and the dangers due to the tidal difference of 2 metres. A knowledge about the area was needed to wander around.
The best way to visit was by canoe all them small creeks with growth all over it due to neglect as the market for Willow and Rush had dropped thanks to the cheap plastic, which is still today cheaper than Willow.
It looked like a jungle in my childhood memories with lots of birds and filled with adventures.

water reservoir

no comment

All this came to an abrupt end when the Haringvliet was closed to protect Holland from the sea and to stop flooding from happening again.
A flood once created the BiesBosch now flood-prevention killed the BiesBosch.
There was only 20 centimetre difference between low and high water, the water became still and dead. Botulism moved in and many birds and fish died and several people were infected.
Straight after the dam came the reservoirs for water, 3 big concrete basins to store water. Not that we didn’t have enough rain but because the rivers became too polluted to give safe drinking water for the big city of Rotterdam.
A nature area of a total of 693 hectares (1712 acres) of land came under concrete basins filled with water in 1973.
3 Years later biologist from the TU Delft gave a public speech about how it should be different this was for me the turning point perhaps better a starting point that we can and should do it different.

Nature and culture can go together, you don’t need to make a choice. While i spread my wings to discover the world and study, the fight for the BiesBosch went on.
The result is fantastic. In the seventies a big turning point was created by them environmentalist which many of us have forgotten. GreenPeace and the Friends of the Earth made a big impact on decisions and companies had to stop pumping their poison into the rivers. Slowly the rivers became cleaner, we still have a long way to go but progress is made.
Clean rivers bring better water quality to the BiesBosch and better land management created new nature.

BiesBosch back to life

life back into the BiesBosch

It didn’t stop there, people started to care more and more, so the politics started to change according very slowly, as politics always do moves slowly.
The people at the BieBosch however didn’t sit still and waited, they worked hard to create changes to reintroduce wildlife back into the area.
The BiesBosch became a National Park in 1994 many land parcels were given back to nature. It is back to a delta were rivers can overflow preventing floods elsewhere, showing how nature can help.
Climate change brings more and heavier rain to our land, don’t forget around two/thirds of the land in the Netherlands is under sea level.
Once they wanted to get rid of the Willows now they are a respected part of the landscape.

Land Art in the BiesBosch

Land Art is a part of this nature regeneration where culture meets nature and shakes hands. The Moon Spiral  made by land artist Paul de Kort, a brilliant piece to walk and enter nature, proves this.
There are more plans to give land back to nature to change agriculture land into nature. It doesn’t even stop there, the dam at the Haringvliet will be opened permanently to let the fish back in. It took politics 14 years to finally realise that this is a good idea. In the meantime the Sea Sturgeon has been reintroduced into the rivers after more than 65 years  they swim perhaps back into the BiesBosch.

It just shows so clearly, that we can make a difference and that a long fight do give results, we can give back to nature and enjoying it. When we help nature we help ourselves.
On the moment the Land Art Forest is just in her baby shoes, not much more than a creative idea.
It will be a hard battle to see how a group of people can own it and how we can prevent it from being sold ever.

For now I am looking for people who like to be involved and who want to help. In the next series of blocks you can read about the lessons learned from other Land Art projects i did. The Land Art Forest will benefit from all them lessons.
The blog will be written in English next to this a book will be written in Dutch. The idea is that people can use this to create their own Land Art Forest where ever they are in the world.
For now the focus is on a Land Art Forest in Portugal and in Holland. Both forests will have to deal with extreme weathers and both will be used to regenerate nature by people themselves.

In the end the blog will share lots of information about products that will help, together with which trees can be planted best.

trees feed

Please feel free to share.


land art forest


a drop in the ocean

The photos will always be related to LandArt, documenting that vanishing moment in LandArt. It comes as no surprise to go from a photo back into LandArt.

The organisers of the exhibition ask me to give a talk about my work at Clegyr Boia in Wales. How can a drop relate to 6 hectare of land, perhaps the feeling of really being just a drop in the oceaan while you know you should be so much more than a drop.
The little feed the big and the big feed the little, we forget, we give up before we start, feeling so little among the so big.
All them little drops form an oceaan, without a drop no oceaan. Remember, many little create a big.

mushroom power

LandArt alters the landscape, sometimes just a moment, sometimes forever. The artists have a dialoog with nature in a landscape and from that dialoog flows a sculpture which alters that landscape.
They add something to the landscape or they intervene in the landscape or they act in the landscape.

a shape at the edge

The LandArt at Clegyr Boia became a landscape. The lessons learned there on that plot of land act as a basis for the next piece of LandArt. A concept that will be used for several pieces of LandArt, all around the world.
So the photo exhibition will be the onset for something much bigger than a drop in the oceaan.
Trees will play a major role as they always play a major role in so many different landscapes. Trees are the backbone of a landscape.

Tree Flag

Learning from past mistakes, learning from past failures, moving into achievement.
A book will be written about the experience at Clegyr Boia with at the end how to move them experiences into an achievable LandArt Forest.
The notebooks came out of the cupboard, photos are searched and gathered an idea takes shape.
Research starts, into books, newspapers and internet to make the idea grow.
While writing about the past contacts are made for a network of people and organisations to add onto that base of a forest.
New notebooks come into action and in November there will be more than just a drop in the oceaan.
The exhibition has been moved to November 2018 at Alcoutim in Portugal.
To create time.

distance looking




Than just than the water became a mirror as the wind called behind.
It revealed silence in noise, in uproar, sound echo  echo, silence in noise
sound source of silence, underwater while above, on the surface feathers
still there, like screams of geese and line clouds of wasted journeys
silence my mind

paint reality

to see what you and me can’t see
don’t want to see
a laced wing, laced netting, filigree cord sting
intertwine, interweave, mix it all, give it silence
klingerly klang of a horse shoe on concrete

glace wing

see beyond time
a feather comes with thousand drops
to do what hasn’t been done
camera under water under surface reality
dare to see surplace reality shattered movement

under or above thats the question

a boat past, waves come all moves
wobble bobble zobble
into reappearing silence, moved to be stuck
a drop reflection into a subtle action
reaction of a fraction into
inner moment, inner movement
shadows reflection, than just than

moved to be stuck

the boat pushes her under where i lay surprised
faces what to see, no longer care
all them drops
just one little feather
feels so good, so beautiful, attractions
in that one tiny moment of passing

that feather

by elegant, glamour on a surface movement
shift in charm, to relocate me and
seeing beyond, seeing inside reflection, under drops
we only see outer reality
stir, switch, leave, transfer

seeing in three dimension
i have to go now, i need a piss
my inner calling
how to make 2D into 3D with an inner feeling
kijk nou

een veertje dat me heeft leren zien, leren kijken, een ander perspectief.

it will never be sure when or how we see not knowing how to show

mAgdA september 2017 alblasserdam




coincidence of no focussing camera
macro point of view
into infinity




unexpected random appearance
don’t like
record of time
waving by on constant
looking for silence sight
finding literature gardens
standing in black past

black sight

black sight


observant mind draws an other
alert neglect
movement flows in air
float on water
leaving no remark

schimmen spel

schimmen spel


it goes shining over dreams
inspirational Blues
seeding representation under
Windlight sims
mention in passing fine lines
divide us

what you see    what i see

what you see what i see


a camera alone will never do it
eyes will not see it
together they show a screen


Inspired by





How she sank and sank like a reverse volcano, a shrinking mountain going down, flowing over water disappearing word, movement alters a certain swing, shift direction, she twist around her letters forming drifting sand

she coils, she wind, she never turn again
that mountainary plunge

she goes deep deep deep down her track
that mountainary path

she moves over over over on the other site
that mountainary push

she flows deeper deeper deeper down inside
that mountainary probe

she streams firmly firmly firmly folding over
that mountainary process

she drifts tough tough tough tumbling away
that mountainary poke

she beached her central part rolling over finalising edge where will she go, where will she grow, sinking sand, a trail of a short tale lowering down a turning page, lowering down a flowing line leaving just a guess of an ending below stirred surface, she face a certain way, flowing sand, flowing image

a poem connected to a land art project Written Water made with paper and sand in the canal



tree art

Many trees can be used to make living art. You make the sculpture by using the strength of growing trees, the tree takes part in the creating of the sculpture. The artist need to know the qualities of the tree they work with. Every tree have their own distinctive ways to survive in the harsh environment, each have their own evolutionary story to tell.

wrapped tree-art with Ash

wrapped tree-art with Ash

The Japanese make art with trees for centuries in the form of Niwaki, Japanese topiary. The artist prune the trees every year to create the shape they want.  With topiary you can make any shape you want, such as long you have the patience to prune the growing tree for many years.

Flag made with Sycamore

Flag made with Sycamore

The fast growing trees lend themselves for a different kind of tree art. We see many of the fast growing trees as weeds, as they spread so rapidly by seeds. When a tree seed herself in your garden you can even weed her out and plant her elsewhere or make her into a piece of art.

Net in an early stage

Net in an early stage

I used a 7 year old sycamore to make the sculpture ‘Net’. The tree was coppice to a hight easy to work from. When new shoots came in the spring, I choose a strong one and pruned the others away. The growing shoot was leaded along a bamboo stick, when bark formed on the shoot, I moved the bamboo stick to make the shoot grow in a different direction.

net 2 months later

net 2 months later

An other Sycamore, just 3 years old, became the Flag by bending and pruning, two shoots were allowed to grown in the natural direction towards the light. Next to them two Ash trees were used to make Wrap.



Willow has an other force that make them very useful to make living sculptures. They produce a high amount of growing hormones, the old rooting powders to help cuttings root, was made of Willow. This growing hormone gives Willow the strength to root easy and to heal wounds made by eating (pruning) animals. The next few months are the best to take cuttings from Willow and plant them where you want to make a living sculpture. You can cut them as long as you want but how older the branch how harder it is to take root and to bend the branch in the shape you want. The best is to look for an older tree and prune the branches and than wait till next season to prune the new grown branches.

willow ball

willow ball

I found a Willow, along the Shropshire Union Canal, which was pollard, the new shoots were woven and other were pruned away. Now a year later I have a great selection of new grown branches I can use for a new piece of work and planting. The woven branches start to make their own sculpture as they grow into each other as one.

how it looks now

how it looks now

the woven interaction

the woven interaction

The nice thing about making this art in a public area people will interact with it. The Willow hoop I made along the canal was broken yet somebody did like it as now i see this woven willow taken shape in the same spot where I made the last Willow hoop.

the old willow hoop

the old willow hoop

Now i will help whoever made this woven Willow and keep on weaving here. The other Willow sculpture is a bit hidden so more safe from judgement of the human eye. By weaving or pruning a Willow you don’t kill her or even damage her you help her to grow even more and stronger.

the new willow hoop made by a passer by

the new willow hoop made by a passer by

The pruned Willow you can plant by just sticking it in the ground or in the early spring by putting them in a vase with water to let them make roots. When there are some roots you can plant them where you would like.  Willow is brilliant tree to use for land art as a part of the Bridge Land Art Forest.

willowart rockwillow6monthslater