sedition

tear

sedition

silence tears fall down her face leaving a trailed salted crystals
no sounds no sob no shaking shoulders her face deadly still

teardrops trincle down while darkness surrounds her
feathers from dead ducks support her head, getting slowly wet

woollen weight from perhaps walking sheeps suppress her into bed
eyes wide open leaving flowing tears out like rising tide

 midnight blue skylight sprinkle her face through plastic windows
legs stretch out door open into well known surrounding

rise

pyjam trousers soaks up tearing morning dew
streaming river cobble at edge kissing bare feet

released to feel, see, hear tender beauty entering morning seal
words try to push out sinking emotion deem well known answers

first feathery touch leaves sheltered leafs turn above head
shouts wake up all the rest with revolt reddening light

sun appears above hill line enlightening all water drops onto blood coral beads

tomorrow she must leave what holds her so dear

the why creates sedition where can silent tears find that courage

 

any government during any time in any place does the same
declaring this kind of living illegal
giving the people hell
so others can spend their money
so i will walk against the government any government who
destroys what is so dear to me
showing my photos while walking

 

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AnY LandScape

ANY LANDSCAPE

Actually LandArt can be lots more than ‘a conversation with nature or landscape questioning our relationship with the land and nature’. Or even that wonderful wording of re-order our response to place, landscape or nature. What then? 

Look at this video of Andy Goldsworthy:

The conversation uses little words but what he says sounds the perfect wording for what Land Art might be or could be, if you let it happen. His questioning happens in silence and his response  last perhaps just a day.
The word INTUItion jumps out, something we forget to use, a perception that feels stupid yet creates. He leaves reasoning behind while walking and in a way connecting to wherever he goes.

 An other important wording all landscape. You can create Land Art in any landscape, you will find material to create whatever. Forget about a plan, let it happen while going. The change it will fail doesn’t matter, the change it all fall apart, makes it. The different approaches to each landscape as we all see that landscape different.

The collecting of material found in the landscape plays a central role as well. So come material landscape and intuition together in the creating of Land Art. The Land Art stays in place but vanish with time and some material stay longer than other; leaf against wood, wood against stone.

In the case of the waterfall you see the fallen wood made it possible to make drifting wood, the doodval will stay, while the drifting wood will flow away. Only the photo of the Land Art sells at time you create more for the photo, the pretty picture, than the Land Art, our society demands the selling particle.

Why would you need a long artists statement, why would you need a title?? Land Art speaks for herself.
Land Art not sculpturing nature but connecting culture with nature. A question could you create Land Art in the urban landscape?
Have a look at the video it will make your day or even week.

Soms kom je iets tegen dat je laat zien wat je niet kan zeggen. Deze video zegt zoveel meer over Land Art of landschap kunst dan de vele boeken en tijdschriften die een omschrijving zoeken wat misschien gewoon geen woorden nodig heeft. Andy Goldsworthy    zegt weinig maar de paar woorden die gesproken worden laat heel wat zien over Land Art. Ieder landschap geeft haar eigen geheimen prijs als je er open voor staat. Loop niet door, loop niet over maar ga effe zitten om het tot je door te laten dringen.
Verzamel wat er zoal verspreid ligt en maak Land Art waar je ook bent. In Nederland vind je veel het stedelijke landschap maar ook hier kan je Land Art maken. Een uitdaging voor de volgende weken.

 

eArth pigmEnt

After reconsidering, after and other reconsider, after yet an other reconsider it feels my feet have landed back on earth.

multi media

The first thing came to create photos in a multi media setting only not sure which multi would be really multi.
It came from the thinking of not just making a photo by clicking the button on the right time at the right place. The one seconde image leaving a sense of creativity long gone.
The one moment light flash of a camera.
All sort of option came along but in the end it stopped by earth pigments.

Like other artists, acteurs, musicians, poets i have studied the new approach, new subject for the exhibition.
It is easy to choose from created work but much more fun to create something new and it is more mind blowing.
An acteur said in an interview that for every role, she made a detailed study of the character she had to perform. It is crucial in art to do this, to prepare yourself, no matter how often you have done it, this time will be different once again.

There are many, what i call, fast art out there. Made fast, displayed fast and moved fast.
Perhaps our fast society demands this from us.
Better to have a balance, between fast and slow, old and new.

So i have studied the history of colour, read books, blogs, research and did perform some  experiments.
Earth pigments were used in humans first artistic expressions, they are found in cave paintings all over the world. Earth pigments come from the earth as the name says making  a connection to the land in Land Art.
As it is the very old way of making pictures combining it with the very new way of making pictures (digital photography).

The first known pigments use date to the early Palaeolithic period ( 350,000 bc). Many people say Land Art goes back in time and compare Spiral Jetty with Stone Henge.
It make sense to use the earth pigments in an exhibition for Land Art Forest.
To finally create something which will be seen long into the future. The old with the new in one picture.

The earth pigments which will be used are not light fast and will fade but that makes them so special.
In my search i found this windmill in Holland which still have lots of the old pigments including the earth pigments.
Finally all the ingredients are together to do some more experiments and practise these old technics.
While in the mean time still going out to collect them moments in a camera.

it all goes down

The reason for my absent here from the blog for several weeks is not the study of earth pigments but the fact that WordPress is eating gigabytes.
Every time i load the site i also load the blogs i write and all the photos blablabla.
After some research i found out that it was no hagger or spams or some other strange behaviour it is just how WordPress works.
So i deleted the old blogs from this site except some important blogs and deleted also Dabe-Art blog and Clegyr Boia blog.

Things should go better now.

Beesje

Under cover

them tiny corners under feet
reflecting hidden songs, if you look hard
you will find her on the site of your written book

 

site corner

 

She hides for the stars of eyes your eyes mine eyes our eyes
she hide and cries between lost leafs
leaving her sky behind
her wandering over the unknown

 

red companion

 

she burst into cover not to run
a red companion with black dots under white stem Birch
trees
how can i hide like her

 

hide

 

the call of that lost moment
everybody wants to go to that forest as a reflection on running pencils
under music of leafs they all sit in total silence
while going somewhere

 

flight

 

she flies away
over pocket secrets
which beak will capture her red motion
tickle them black dots above moving feet with hundred toes
got to show how
thats why sun shines
if you don’t know why you shine
under them leafs you got to go

===========

A little visitor while writing in my notebook made the day extra special, she wasn’t the only visitor.
Life is wonderful in a forest.
Went to discover a new place to take some photos of leafs for the exhibition and to write poetry for the exhibition.
it was a very inspirational day.

JA NO 9 and 10

negen
nine
9
good number
they say

 

slide9landartforest

 

the final

 

slide10end

 

So now my task lays with collecting people, people who are willing to create this Land Art Forest.
Community art for nature made with people, wherever you are on this planet.
Nature knows no borders, no nationalities.
Imagine you have trees at a place you can’t be but will never leave.
perhaps
Once a year with an art event we come together one way or an other to find inspiration.
Maybe virtual, possible actual, what ever way, it will be a part of you.

LAND ART FOREST

SLIDE 5 AND 6

What to prove
by
planting a tree
How to perceive beyond
the green

sixty centimetres
noting more
skinny being in cracked soil

 slight different angle
aspects turned around
to breath
more than sound
when growth outmined viewpoint
against the wind
inside that intersection of no belief

 

slide5Trees

Slide 5 PLANTING TREES

 

Its all done before
and
it will be done again
to form a pattern
close a circle

tree will outgrow you and me
to leave something, we can’t reach
telling stories nobody reads

time will tell
how we feel
interactive transgression
meaning of nature to clean
that what we leave in a leaf
the counter weight of transactions
showing an image  not made by hand

 

slide6otherartists

slide 6 other artists

 

to shake it all again
not so sure about the name
as what is in the name of ART
more than poverty over brain
what is it worth
for YOU?

DaBeArt

EMPTY

EMPTY SPACE

space

While reading the new ‘LandArt book’ Expeditie Land Art it occurred to me that magical word empty, in Land Art.
On page 89 you find the start of a description of the writers visit to Lightning Field from Walter de Maria.
What Walter achieved with this piece of Land Art is to create the experience of an empty field, a field which will stay empty for many generations to come.
Most fields will not achieve that, that immense feeling of emptiness.

alone

alone

A filed is never truly empty, bare, blank, deserted there is something always something. YET, it can give you that feeling of being purposeless, meaningless never unfinished.
Walter de Maria made sure to preserve that feeling in the whole of the creation and preservation of his work The Lighting Field.

People will say and did say this is no art but than was it his purpose to create art or was it to preserve a landscape on the brink of disappearing of this planet.
Due to his planting of metal rods you now can visit this place with just 5 others alone without; phone, tv, radio, books, magazines, internet for at least 24 hours to experience empty, silence, idle, clear vision.

Everything in our lives has some kind of monetary value yet the most important aspects of life appears to us free of any charge. It will not be for long and than when it is gone perhaps than we realise what we have sold.

i can see you

can you see