i Am a LEAF on the Wind

chaos of the making

which word

i Am a LEAF on the Wind floating escaping seeking direction
inside the millions of Words
Hundreds of rules
Thousands of images
i Am a LEAF on the Wind  realising what trees have been
a selection in the forest value of numbers reselection
i Am a LEAF on the Wind Blown away in thousands
curls, swirls, whirls, spinning Twists as to wonder
Where to land

Chaos in the fallen leaf


i Am a LEAF on the Wind
What to say as things, people, trees, rocks, seeds, birds, bees pass BY
i Am a LEAF on the Wind  rushing to find soil
to enter the world of ground
aWay from air bubbles, rumbling resonant vibration
Right back into that wandering feeling to set the first step into the unknown direction
discovering which way to go while roaming
like a leaf on the wind
finding the moment to fall

overwhelming chaos

do you know that feeling

and go against all odds
figuring things out while moving
as a fall is just The beginning of lost memories of
a leaf on the wind is not afraid to fall down
to a new other existent surrounding
to become a nemophilist

chaos inside an image

i must not forget what i did to create the new

The above is not much else than artistic therapy on the moment i feel so overwhelmed by the new project.
Now  a new picture hangs there to remind me
i Am a LEAF on the Wind

It is also a part of showing a more personal struggle that lays behind the Land Art Forest.
Before i had the land and the ideas followed upon it now i have the ideas but not the land.
How to persuade people to join this project, without loosing the artistic approach.
On one side there is the need to be professional according to the rules and perspectives that people have and on the other side lays the forest as art.

seeing chaos

what it should be


In the end
i Am a LEAF on the Wind
ready to fall Down






While reading the new ‘LandArt book’ Expeditie Land Art it occurred to me that magical word empty, in Land Art.
On page 89 you find the start of a description of the writers visit to Lightning Field from Walter de Maria.
What Walter achieved with this piece of Land Art is to create the experience of an empty field, a field which will stay empty for many generations to come.
Most fields will not achieve that, that immense feeling of emptiness.



A filed is never truly empty, bare, blank, deserted there is something always something. YET, it can give you that feeling of being purposeless, meaningless never unfinished.
Walter de Maria made sure to preserve that feeling in the whole of the creation and preservation of his work The Lighting Field.

People will say and did say this is no art but than was it his purpose to create art or was it to preserve a landscape on the brink of disappearing of this planet.
Due to his planting of metal rods you now can visit this place with just 5 others alone without; phone, tv, radio, books, magazines, internet for at least 24 hours to experience empty, silence, idle, clear vision.

Everything in our lives has some kind of monetary value yet the most important aspects of life appears to us free of any charge. It will not be for long and than when it is gone perhaps than we realise what we have sold.

i can see you

can you see


Leaving details

As a part of an exhibition in 2010 with the title ‘GreenbloodRedblood’ i created some images.

GreenbloodandRedblood 2010



red blood in green

The amazing veins in a leaf searching for that river trail.

How does it flow.

For only a moment.


leaf labyrinth

from green to


it never stays

it goes

leaf remains


half digested by time

one step


its gone into crumbles


leaf white bones



of it goes

into soil

to spread the wings of

new leaf on the wind


In a forest lays the hidden reality, de verborgen werkelijkheid, realidade occult, Realiti cudd, versteckte Realität and so much more.
These photos are experiments with filters and framing the coming months there will be many more experiments.

The camera is fantastic in macro photos and has several possibilities for filters like: fisheye, sparkle, reflection, fragmented, pop art, soft focus, pale light colour, grainy film, pin hole, diorama, dramatic tone.
Not sure by any of them, it can give a mixed reality which i like to achieve in some way. Let the photos be in such a way that people look and wonder what is……….

There will be several series, several stories to tell and one will be the story of a leaf.

The way to show? Perhaps as a collage. Perhaps as a leaf. Not sure, i have plenty ideas.
The roaming balls, the hidden holes, the forgotten tunnel just to mention 3.

The dead leafs are on the path for just a few more weeks so no time for experiment more time for that one moment of seeing.






Forest Museum

At times people see gardens as museums for special plants, perhaps we can see the forest as a place for special trees.
While we wander around the forest remembering fairytales, wondering gnomes under our feet, a distant call of the fluttering bird, do we see what it could be.

Alan Songfist did.
Making art by planting trees in the shape of that or perhaps that other fluttering bird.
An amazing piece of art hidden for the human eye yet clearly seen by bird-eyes.

Land Art Forest hidden beauty

hidden forest

An other fantastic piece of work from Alan Songfist is “Time LandScape” again made with trees, situated in New York City.

Agnes Denes is an other land artist who created forest art, with a more hidden message of ‘this will never be sold’.

How about a cathedral made with living trees, well more than one person had that idea but like paintings no Land Art is the same.
Whipsnade Tree Cathedral is a 9.5 acres cathedral created and planted by Mr Edmond K. Blyth, starting in 1932 long before the land art movement came along.

The Tree Cathedral by Giuliano Mauri is made with hidden trees as in each column a young Beech tree is growing. The columns are made with branches and sticks woven into a structure which is more than just a tree protector.

The Green Cathedral “De Groene Kathedraal” made with Birch trees not to last forever but leaving a lasting memory of trees on the new created land in the Netherlands.
Marines Boezem was born just 2 years after Mr. Blyth started to plant his green cathedral.

Land Art Forest hidden drop


From the ‘Green Cathedral’ it is a short drive to go to “Het MuseumBos” where you can find several pieces of land art created with trees.

Land Art Forest will not be a new idea but than who made the first painting? How many paintings did follow?
Lets wish we create just as many Land Art Forests as we created paintings.



Land Art Conversation

The Land Art ‘movement’ never wrote a manifesto like other art movements. You can therefor find as many different definitions of Land Art as there are land art artists.

Land Art Poetry 'Crack'

Land Art Poem

The following definition inspired me into a new thinking in 2009:
“Land Art is a conversation with nature/landscape, questioning our (human) relationship with the land and nature, to articulate the experience of landscape and nature.”
Perhaps the conversation between me and nature became literal, in the meaning of actual, by writing with and in the landscape the feelings it aroused in me.

Land Art Poetry

There were it happens


An other much used definition comes from ‘Ben Tufnell’ in his book ‘Land Art’ :
– Land Art is the use of art to enact or articulate a direct, non-pictorial engagement with landscape and nature, or to re-order our response to place, landscape or nature.
The photos here are the documentation of the art but not the Land Art.
When you look at both definitions you see the word articulate, which means so much as expressing oneself ‘clearly’ or speaking ‘clearly’.
Expressing oneself has everything to do with putting in words or show an emotion.
Words do disappear like nature these days.


the disappearing of words



My response: Nature does not discriminate what has made the land/ground, it doesn’t matter if mining or termites or even earthquakes made the ground. Constant change is a main principle, once gone nature comes back different.
As Land Art urges us to RE-examen our relationship with landscape and nature. Can we re-create landscape/nature or is it once gone, never come back?


Land Art Poetry Trail



I wanted to find out if we can re-create nature within a man made landscape.
To do this I had to let go of box thinking; culture, wild, environmentalism all belong to a box with a certain label. Human-made can be nature. The Land Art should not become moralising and certainly not a new box with attached new labels.

In this way I made ‘Vagdavercustis’ by having a conversation with nature and the landscape. I Re-examine my own relationship with nature and the landscape, seeing what we articulate, express put into words can become nature.



LOPE not loop


If we walk or if we drive we see and experience landscape.






FOREST   land art

Why making a forest as land art?
The answers lay with the trees, not just their beauty, strength, adaptability but:

Tree clean the air from dust, co2, important as we know.

FOREST Air cleaners



Trees help with the water management on this planet, while we turn and turn around.
By all means trees are the best in using solar energie.


FOREST water



Trees provide food, wood, shelter and do i need to say more.



TOREST hidden beauties



The hidden beauties, the shelter, all for us to discover in their small corners.

Therefore creating a forest is more than planting a bundle of trees.

It makes it possible for us to give something back to nature, to create a gift for nature.
The FOREST will become Community Art for nature.




Back to expo thinking, there is no way you can fit a Land Art Forest into a gallery, so forget trying.
The exhibition will contain photos, but how and what keeps floating around in my little idea book.
Where is clear and the room with walls, doors and windows is clear, but the filling and connecting it to the Land Art Forest ……..


a photo of a photo on a sculpture inside the mind of an avatar

inside water
drops within drop
a drop in the ocean
without a drop no ocean
what we see has become a competition of what it should be

flow 21

an other invisible flowing drop

When you observe physical entities, with your observation, they changing their character                (Werner Heisenberg)
free from controle of reason
expressiveness force
creating an image rather than recording it
don’t see what others want you to see
let water and wind play with it

flow 9

flow 9 it is all in your head

For one expo the photos are selected, the medium is still questionable, only need 5 photos there. These 5 will also be a new card serie.
The cards must sell so selection happens in an other way. My more artistic photos do not sell good enough.
The expo in Portugal will not be for sale, creating more freedom of artistic expression.

painted drop

painted drop

Transport is an other issue to consider in the creative progress. Certain ideas dropped of as the small needs to fit inside a suitcase.
Printing a photo on a piece of paper feels not good, gives no expressiveness.
Macro photography seems the opposite of the Land Art Forest of 1 hectare, yet without that small world no forest.
It all starts with one drop.

How to display the beauty of the small to realise the big as we see so little. Our realities alter constantly, so many medias, so many ways.
The budged limits several options, such a pity, the imagination needs no funds but the realisation can’t happen without the dirty word, money.

Somehow some order will appear inside the chaos
one day it will happen
it will all come through